Margot Robbie takes us behind the scenes of period films, sharing insights into the world of nudity and filmmaking secrets
In a recent interview on an Australian podcast, the talented actress Margot Robbie opened up about the topic of nudity in period films, shedding light on some intriguing aspects of the filmmaking process. The conversation revolved around her upcoming film, Babylon, set in the 1920s and featuring a decadent party scene with extensive nudity.
During the podcast, Robbie and her co-star Diego Calva shared their experiences working on the film and how they became desensitized to the nudity after days of filming. The hosts of the podcast, the amusingly named Fitzy and Wippa, inquired about the challenge of finding actors who look authentic in a period film, even when nude. They raised the question of natural physical attributes such as real breasts and pubic hair.
Robbie responded with an intriguing revelation: the existence of "merkins" in the filmmaking industry. She explained that merkins are essentially wigs for genitalia. Robbie recalled her time working on the film Wolf of Wall Street, where she encountered an entire room filled with merkins. The room served as a selection centre, allowing actors to choose the merkin that matched their desired aesthetic. Robbie hinted at the fascinating intricacies of the filmmaking world and the lesser-known secrets hidden behind the scenes.
Looking ahead, Margot Robbie has an exciting lineup of projects, including Greta Gerwig's Barbie and Wes Anderson's Asteroid City. Additionally, there have been talks of Robbie's involvement in a potential new film in the Ocean franchise and a potential instalment in the Pirates of the Caribbean series.
As Robbie continues to captivate audiences with her talent and versatility, her candid insights into the filmmaking process offer a glimpse into the intricacies and creativity that go into bringing stories to life on the big screen. Stay tuned for more exciting updates from this remarkable actress as she explores new territories in the world of cinema.
Kommentare